[PRINTS] - Lot 244

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Lot n° 244
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40 - 60 EUR
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[PRINTS] - Lot 244
[PRINTS] A collection of 17 prints, including: Jean CARZOU (1907–2000) - Winter Walk in the Garden, lithograph, signed in pencil lower right, 40 x 60 cm. (Slight foxing) - Boats, lithograph, signed in pencil lower left, inscribed “artist’s proof in black, before colors,” numbered 20/20, 49 x 31 cm. Maurice FLEURY (1920) - Rue des Fontaines in Gisors, intaglio print, signed and dated 1964 in pencil in the lower right corner, numbered 5/11 in the lower left corner, 21 x 13 cm. (Fold marks, yellowed) - Landscape with Haystacks, intaglio print, signed and dated 1966 in the lower right corner in pen, numbered 8/15 in the lower left corner, 13 x 21 cm. (Skinning) Robert WEHRLIN (1903–1964) - Quai de Seine, color lithograph, monogrammed in the lower right corner, 40 x 50 cm. - House with Central Heating, lithograph, signed lower right in pencil, “artist’s proof” lower left, inscribed “For my friend Jean Bouret, January 1, 1959,” 20 x 26 cm. (Flecks) - Gothic Cathedral, lithograph, signed in pencil lower right, numbered 20/20 lower left, 43 x 33 cm. (Flecks) Madeleine MELSONN (1905–2000): - Parc de Sceaux, lithograph on tissue paper, signed and inscribed “For Jean Bouret with warm regards” in pencil in the lower right corner, marked “artist’s proof” in the lower left corner, watermarked “Bristol extra fine TL,” 17.5 x 24 cm. (Fading) Auguste Jean GAUDIN (1914–1992): - Les Manèges, intaglio print, signed in pencil in the lower right corner, numbered 8/100 in the lower left corner, watermarked “l’estampe,” 19.5 x 18 cm. (Stains) André JACQUEMIN (1904–1992) - *L'esplanade du Château d'Haroué*, intaglio print, signed and inscribed in pencil in the lower right corner: “André Jacquemin to Jean Bouret, champion of printmaking, with my deepest esteem, sympathy, and gratitude,” Epinal, Dec. 1971, numbered 1/3 + 50 after the limited edition in the lower left corner, 23 x 55 cm. Roland OUDOT (1897–1981) - Basque Landscape, lithograph, signed in pencil in the lower left corner, numbered 8/100 in the lower right corner, watermarked “L’Estampe,” 25.5 x 34 cm. (Stains) André JORDAN (1908–1982) - Forest, lithograph, signed in pencil lower right, artist’s proof, inscribed “to Bouret, with best regards, Jordan,” 24 x 32 cm. (Stones) Pierre FLEURY (1900–1985) - Waves, lithograph, signed and numbered 6/20 in pencil lower right, inscribed “For Mr. Jean Bouret with my most sincere wishes and the assurance of my most cordial and grateful regards,” dated 8.1.51, 27 x 42 cm. Marcel ROCHE (1890–1959) - The Bell Tower of Cormeilles-en-Parisis, intaglio engraving, signed in pencil in the lower right corner, numbered (proof 2/ by Johannot), Johannot watermark, 30.5 x 24.5 cm. (Age spots) Etienne BOUCHAUD (1898–1989) - The Carousel, intaglio engraving, signed in pencil lower right, numbered 8/100 lower left, watermarked “L’Estampe” and featuring a ram’s head “LANA 15790,” 28 x 17.5 cm. (Stains) - Afternoon in the Countryside, intaglio print, signed in pencil lower right, numbered 8/100 lower left, watermarked “L’Estampe,” 23 x 31 cm. (Stains) Aymar de LEZARDIERE (1917–1995) - Path by the Lake, signed in pen lower left, 51 x 40.5 cm. (Stains and tears) Max PAPART (1911–1994) - Salon, intaglio print, signed, dated 1953, and numbered 3/25 in pencil in the lower left corner, 31 x 50 cm. (Sun damage) Also included: - Rue Dauphine VI art, lithograph, signed in the lower left corner (illegible), 11 x 6.5 cm. - Countryside Landscape, lithograph, 32.5 x 30 cm. (Tear)
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